The image above illustrates that my control room is acoustically treated and optimally suited for mixing purposes. Its nearly flat response ensures that the sound emanating from the speakers remains true, allowing me to accurately perceive the nuances of my work. To achieve this, I employed professional software and utilized a specialized omnidirectional, flat-response microphone designed specifically for precise measurements. This meticulous approach guarantees an optimal listening environment for critical audio evaluation and manipulation. And if needed I have software to get to a complete flat monitoring environment, but at the end its all in the ears and experience.

with my current setup, I have the possibility to mix a 5.1 surround mix but if you need a 7.1 mix we can talk about it.

Gear:

2 Yamaha HS80 studio monitors

4 Yamaha HS50 Studio monitors

Behritone monitor

Interface RME audio Babyface

Interface RME FIREFACE UCX2

RME audio octamic II preamp

Audio technica ATH-M50 studio monitor headphones

Audio technica AT-2035 microphone

Lewit DTP Beat kit pro

Behringer omnidirectional mic.

Ik Multimedia arc 2 omnidirectional mic

Zoom H6 Recorder

Pro tools 10 and 11

Ableton suite 11

Logic pro 9

Roland Juno 106

Moog Minitaur

OP1

Electron Digitakt

Roland tr-8

NI Maschine Mikro

Yamaha DGX-640 Digital piano

Arturia Minilab Key 25

Acoustic hand-made guitar with palo de rosa wood from Puebla Mexico

Takamine electro-acoustic guitar

tank drum, native American flute, bongo, and some other exotic instruments from Mexico and around…